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  EXTRA    GOOD

​Welcome to Extra Good,
the consolidation station for 
Here’s One Good Thing

At the end of each week's blog post, I’ll add a few extra, typically unrelated items of note and link them with a quick description to the categories below; the newest entries will also be flagged here each week to spare you some digging.  Most items will be random good things I've encountered in any given week, but sometimes I’ll wedge in a classic from The Good Archives.  Also, please note the explainer for the Good But ... designation below* — it's a handy caution label for the sometimes-feel-good things that have still earned their place here.

 

Poke around according to your interests — I hope you find something ... good  ✨.​​​​​​​

A scene from the old children's television program Mister Rogers' Neighborhood.  Two men -- one who is Black (François Clemmons playing Officer Clemmons) and wearing a police officer's uniform and the other is white (Fred Rogers) wearing a tie and green cardigan sweater. They are talking together while sitting on chairs with their pants rolled up to mid-shin. Their bare feet are cooling together in a child's round plastic wading pool.

*Photo by John Beale. Used by permission with great appreciation.

A partial view of a wood-sided building, including a sloped roofline.  The exterior wall are painted white and very large black capitalized letters spell out "YOU ARE BEAUTIFUL"  A vertical white gutter runs down the center of the letter "U." The sun is shining and there are shadows on part of the wall.

 COMING SOON 

On the side of THALKEN, a terrific tiny shop in Lafayette, CO

 NEW! 

GOOD BUT ...

        The links within the above "Extra Good" categories land in a wide working definition of good, which (with our noted exceptions) is generally a light, bright, sunny little universe; the above recommendations easily satisfy our breezy mental vacation criteria. 

 

On the other hand, there are many pop/social culture elements — guns, gore, horror, drugs, and seriously bad humans — that are not vacation-y (to me), which means I'll be bypassing some interesting, critically good (even great) movies, shows, books, podcasts, etc. that have too high a potential of crushing your/my soul.

 

Breaking Bad is an easy example: it earned years of critical and fan acclaim, including from my C, who frequently said, "Mom, I just gotta show you this one part ..." as she rapidly fired up her laptop screen.  But even 30 seconds of Walter White and the Salamancas was enough to weave into my nightmares.  So cheers to all the Emmys, but nope, that's not the vibe here.

 

However, in between the warm-fuzzy-feels and yikes-no-way is a maybe-maybe-not middle.  There are lots of partially-feel-good creations that have a compelling balance in their light and dark, which is why I'll add a cautious Good But ... label on the maybe-maybe-nots.

 

I'm thinking about books that are devastating but also luminous (like All the Light We Cannot See) or documentaries with difficult subjects that redeem in their humanity (like The Quilters).  A small-screen cousin to our Breaking Bad example would be a show like The Bear, which can be nearly un-bear-able to watch — unnerving tension, personal and family traumas, heated claustrophobic kitchen space, cascading f-bombs, and so, so much yelling This sort of non-essential stress may be more than you or I want to manage on a Tuesday night.  

 

But if you can tolerate varying degrees of discomfort, the recommendations with this label can swing back and restore your nervous system with beauty, comedy, solace, human awareness, redemption, and grace.  I'm wound too tightly and sentiently to actually *enjoy* or *relax* while watching/reading/absorbing intense, sad, or darker-side material, but I'm usually glad I push through.  Thanks to The Bear, the dignity of Richie's "Forks" episode and Marcus's deeply focused calm now comfortingly reside in my head.

​

ALL this to say,  I can confidently recommend any Good But ... links, but proceed with caution according to your mood and tolerance for ambiguity, crisis, language, vicarious pain, and the occasional loudly-shattered plate.

A small plastic toy version of Toy Story's Woody character slumped down with his head in his lap.  He is positioned on a long concrete parking block. The surrounding dark gray asphalt parking lot has patches of green moss.

 GOOD BUT ... 🙂🙃

Anchor 4 Good But
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